The F Train runs the course of Manhattan into Brooklyn Heights.
Late one evening, on a Wednesday, she steps onto the south bound train to go home. She takes a window seat, alone at the end of the subway car. Biting her lower lip, she opens a book and begins reading. But not for long.
Distracted, she closes it and removes a pen from her purse. Using the beige paper bookmark, she begins to write.

I picked it up long after the train crossed into Brooklyn. It read:
Did you ever consider that maybe what we’ve got isn’t so bad?
Maybe what we have is more than what we’ve had.
And somehow we manage to sleep at night.
(The free flow of thought is like a magnet catching dust. And sense has a lock that’s covered over with a thin layer flaking red rust. My mind is somewhere behind.)
But what I have is so much more than what I have had.
We move,
In and out and up and down, back and forth, underneath some immovable force.
And every once in a while, we pause and stop
Step back
And realize what we’ve got:
A piece of ourselves at peace
I flipped the book mark over and the small, crips letters filled that back as well. I kept reading:
Even though it will never be enough.
Here I am
And holding to who I am
I humbly ask you
Who you are and what made you think
We could take it this far —
because
Without you I would not be me
Nor you without me, would not be you.
But I humbly ask
IF we have taken this too far
IF in this pause
I must bid you farewell
Remembering this, alone,
Until I am old and undone.
Because what we have is more than what I’ve had
To lose it unexpectedly would be horrorific.
Leave me mad.
The woman on the subway became real.
I did not even know her name.
I paused.
Copyright 2009-2011, by Kimberly Cox, All Rights Reserved
Revision from November 1, 2009










21st Century, Algorithm, Aristotle, art, Autobots, bad pie, Blockbuster, communication, Decepticons, Deep Hurting, Digital Film, Equation, film, Formula, Hollywood, Humor, Math, media, Michael Bay, Michael Bay Films, Michael Bay Hypothesis, Millennial Generation, Movies, original work, Poetics, Pop Culture, reality, Robots, satire, Screenwriting, SFX, Social Satire, Special Effects, storytelling, Theater, theatre, Transformers, Transformers 3, VFX, Visual Effects, What if?, why?
THE MICHAEL BAY ALGORITHM
In 21st Century Culture, Daily Musings, FOR YOUR CONSIDERSTION, Millennial Generation, NEWS AND COMMENTARY on November 11, 2010 at 3:03 PMWatching TRANSFORMERS.
Suddenly, the Michael Bay “FORMULA” becomes clear!
If the value of
X = [ (VFX/Action Sequence) ª ]
~
and
{ *Note: Page #s must hold a value exclusive and free from all unitities of time, place and action. Unlimited Action/SFX sequences }
♥
(Exposition)
+
(Comedic Sequence + Suspenseful Build thru Irrelevant Dialogue + Light Action)
+
X (2ª )
+
ƒ = (X)(Slow-Mo)
{ Execute and repeat every 3 pages. }
X ≥ [ ƒ = 32 ª ]
+
( Insert comedic reference/action by small child.)
+
[ (Insert relevant moral message) 42 ª ]
X < [ ( ƒ= ∫ (100 ª) ]
∏ = (Insert relevant moral message) ª
+
(Insert death of minor character) 60 ª
÷
.25 (Ingratiate emotion)
+
(Jump Cut) + (X) 61 ª
[ REPEAT ]
X
≤
•
∞
•
≥
ƒ = SUM (100ª)
=
¹ Sincerest apologies for any mathematical errors but do believe that the overall gist works with any Michael Bay film.
THE MICHAEL BAY ALGORITHM ™
Copyright 2008 Kimberly Cox, All Rights Reserved
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